Tag Archives: Horror

Film Review No.331: Invasion Of The Body Snatchers (1978)

Invasion-of-the-Body-Snatchers-3

Now here’s a film I’ve been wanting to review for some time. I did consider it as a candidate for this year’s Horror Week that’ll be coming in October, but then I was able to get a copy for a great price from Arrow Films and figured I couldn’t really wait much longer. The 1978 version of Invasion of the Body Snatchers is a sci-fi horror classic that, when I was a youngster, was one of my favourite works of both genres. Let’s see how it holds up today after having not seen it in its entirety for quite a few years.

raaaaaaaaaaggghhhhhhh!!!!

About these ads

Film Review No.330: All Cheerleaders Die (2013)

All-Cheerleaders-Die-1

Just over 130 reviews around I covered the Lucky McKee directed film The Woman. I really liked that sick little piece of work and so have had my eyes on his follow up All Cheerleaders Die for some time. Last night I spotted it was on Netflix, wondered how long it had been there and why I hadn’t noticed, and then figured I should probably stop staring at the website itself and just start staring at the film instead. This was a good choice. Click below for my review.

Fun fact: this is actually a remake of Lucky McKee’s first film.


Film Review No.329: The House By The Cemetery

House-By-The-Cemetery-1

Sometimes I’ll buy a random film by one of my favourite cult directors purely because it’s one of the odd ones I haven’t seen yet. After attending the London Film and Queuing Con I got inside a building that was selling all sorts of film and comic related stuff and picked up a few classics from the Arrow Films booth. Amongst them was one of them films I just mentioned, The House By The Cemetery by Lucio Fulci. Last week, after seeing Guardians of the Galaxy, myself and my friend Paul decided to sit and watch this film for the first time each. We’re not entirely sure we followed the whole thing. After the link below is my review. If that’s what you could call my ramblings.

It’s more of a house with a cemetery in it to be honest.


Film Review No.324: Body Melt

Body-Melt-1

It has taken me nearly a week to get around to writing this review. I’d like to say it was my usual bout of laziness but, in reality, it’s because it has taken me this long to figure out roughly what I should be saying about Body Melt. This is one of those films that is so off centre that it can be hard to really ascertain exactly what you have seen. Click the link below to see if I did make any sense of Body Melt!

melts in your mouth.


Film Review No.322: Maniac (2012)

Maniac-2

Maniac is a film within which Lord of the Rings star Elijah Woods plays a mentally disturbed short guy. No, not that film… no, no, no… yep, the one where he scalps women. No, scalps, not beheads. Anyway, Maniac is a remake of a largely forgotten (sorry horror fans, it is) 1980 horror film that puts spin on the film by being presented almost entirely from the first person view of Elijah Wood’s character Frank Zito. Click below for my review.

Don’t scream… You’re beautiful.


Film Review No.321: Doc Of The Dead

Doc-Of-The-Dead-2

So I have somehow come to review 3 zombie themed films in a row. Two of this are Paul’s fault, that’s fair enough, but Doc of the Dead is all me. Heard about this documentary being made with the involvement of the guys from Red Letter Media, providing some short Plinkett themed gags, a few months back. The film has just appeared on Netflix so I guess I had to review it. Click the link below for words about this.

Grrr, Arg!


Film Review No.320: Survival of the Dead

Survival-Of-The-Dead-4

Film number 2 of the 4 Paul (my buddy on Mellow Gaming) got me for my birthday was George A Romero’s Survival of the Dead. Fun fact about this film: I have never heard anyone say anything good about it. Thanks Paul! I’ve only reviewed one other Romero Living Dead film on here, that being the excellent Day of the Dead. So here’s a quick rundown of my opinion on the other films… Night of the Living Dead is quintessential cinema, Dawn is one of my favourite zombie flicks of all time, Land is actually quite decent, Diary is fecking terrible. Let’s see if Survival of the Dead continues that spectacular drop in quality since Land of the Dead shall we?

Father Ted Vs Zombies would have been better.


Film Review No.319: Osombie

Osombie-2

My mate Paul, who I do them Mellow Gaming videos with, is always complaining that I don’t review the films he suggests. This is probably because he only suggests films to torture me with. It was my birthday last week and Paul got me a selection of films, two of which fit into this torture category. The first of these films is today’s subject Osombie. Click the link below for my review.

Why?


Gilgamesh Is A Horror Film That Is Happening

%22Gilgamesh%22

Some of you may have noticed that I do have a soft spot for micro budget horror. I’m not saying I’m the most clued up on what’s out there, but I do like to see it all the same. Even backed production of one such film on Kickstarter last year. Today I got sent a trailer and a press release for a little horror film called Gilgamesh. After the link I’ll post the teaser trailer and a little information about the film.

Did you know that Gilgamesh was a Mesopotanian Demi-God? I didn’t.


GODZILLA SEASON: Film Review No.299: Terror Of Mechagodzilla

Terror-Of-Mechagodzilla-1

Well, this is the end of an era. The Showa era to be exact. See, Godzilla films are generally split into 3 distinct eras. The first being named Showa, the second Heisei and the third Millennium. All 3 series use the original film, Gojira, as a jumping off point with 1984’s The Return of Godzilla (Godzilla 1985) being a direct sequel to the original, as was Godzilla 2000/Millennium. None of the following eras keep any of the continuity from the Showa era. When Toho made Terror of Mechagodzilla they never intended for Godzilla to be laid to rest forever but they recognised that they needed a break. This last film almost serves as an attempt to correct some of the misguided tangents taken by some of the more recent entries in the series. Ishiro Honda returns as director and, thankfully, Akira Ifukube returns as the film’s composer. Returning too is the more serious and dark tone, though not to the same degree as the first film. How does the Showa era’s finale pan out? Click the link below for my review.

This film is unique in the Godzilla series as it is the only one with fake rubber boobs in it


Follow

Get every new post delivered to your Inbox.

Join 461 other followers