Because it is an unspoken goal of The Film Dump to review every film made in the 80s (Hint: film review 300 is an 80s films) it was only a matter of time before I got to Jim Henson’s master work, Labyrinth. Also, because Labyrinth is a great film it was also only a matter of time before I got to it. This is a film I probably watched fortnightly as a kid. I was actually unaware, until recently, that it had failed critically and financially upon its original release. I had always assumed it was a huge deal because it was a huge deal to me, my friends and pretty much everyone around my age and younger today. The film is still referred to as a cult classic. There’s nothing cult about how poplar Labyrinth is. This film is legit, so, click the link below and I’ll tell you just how much Labyrinth is one of the most legitist films ever.
Tag Archives: Films
So after that little tease of a trailer during the Superbowl we were left in anticipation… or more likely, left shrugging, at the prospect of a new Transformers film. I may be a bit controversial here when I say that the Michael Bay Transformers films aren’t exactly brilliant. Especially that pile of wank known as Revenge of the Fallen. I did somewhat moderately enjoy the third film though. I do suspect that was due to Shia LaBeouf’s character… human… person… having an actual character arc. A really, moronically, simple character arc it may have been. But it was definitely there. Just. Well, Shia LaBeouf is out for this new film and Marky Mark is in. Also, Dinobots and a very big spaceship which I’m gonna say is Unicron. People have told me it’s a ship belonging to a Decepticon called Lockdown but there’s no way Michael Bay isn’t going to make that transform. Anyway, click the jump below for the embedded trailer.
Fine! I’ll watch an actually critically praised and award winning film that will likely scoop the best foreign language Oscar… wait, what do you mean it’s not even nominated? Not even a performance nomination? What… the… hell? So I admit I’ve seen worryingly few of the films that are nominated for Oscars this year. In fact I’ve only seen 2 films nominated for Oscars and both are in the special effects category, so they don’t really count… but really? Blue is the Warmest Colour isn’t up for a single one? Click the link to allow me to tell you why it probably should be. I mean, the other films in best foreign language may be better… I dunno… but this film is exemplary.
I got chills. Click the link below.
So I had an idea. Sometimes, in an attempt to keep my reviews between 1000 and 1500 words I tend to skim over a few aspects of a film. Sometimes I’ll even just not go into a certain aspect if I feel other aspects of praise or failure adequately convey the film’s overall quality. The recent remake of RoboCop is one such film that presented me with so much to discuss, both positive and negative, that fitting it all into one review would have been troublesome. So I thought to myself, why don’t I try something new? What I’m going to attempt to do in this post is dissect the various aspects of the film that I feel deserve to be talked about. How they effect the film’s story. How they elevate it. How they drag it down. Basically, my attempt at a little bit of a film studies style dissertation on production, story and the art of film. If this works I may start doing these for various other films. I always find it more interesting to do dissections of this nature with the more flawed films out there. You can learn a lot about what to do in cinema from Taxi Driver, but do you learn much of what not to do? So, click the link below to be whisked away to a very, very spoiler heavy dissection of RoboCop 2014.
I’ve been writing about various incarnations of RoboCop a lot recently. I’m afraid this isn’t going to ease up just yet. This is because I decided, on a whim, to watch RoboCop 2 a few days ago and, as the rules do state, I must now write a review of it. At least it wasn’t RoboCop 3 I watched. I’m not actually sure I could even get through that film. RoboCop 3 gets all the flak it deserves. It is a terrible, horrible film. RoboCop 2 gets a lot of flak too. This is mostly unjustified. Click the link below for me telling you why I’m right and you’re all wrong.
Hands up who thought The Lego Movie would turn out good? I didn’t. I saw the charm in the initial trailer, but, kind of expected the film to end up being one of those kids films that end up being a series of dumb jokes wrapped around the most flimsy of stories. I mostly expected it to be a huge advert for Lego toys. Well, it is that. I’m pretty sure many people that have left the film have gone and purchased a Lego set shortly after. I probably would have if I had a spare few thousand pounds to buy what sets I could with that. So, like, one minifig and a small car, right? The Lego Movie represents everything that I should hate about films aimed at children. Its humour is puerile, its filled with nonsense, its a marketing ploy, it has that one catchy song that won’t fecking LEAVE MY HEAD!!!… It’s so frigging awesome. Click the link.
I’m probably going to be a little bias when it comes to this film. If you’ve been reading this here blog site thing for a while you may know that I’m a bit of a fan of James Gunn. Super was easily my favourite film of 2012 and that he managed to write a remake of Dawn of the Dead that didn’t suck means he should have won some sort of medal. Hell, it’s probably the only good, non-comedy, zombie film for decades. James works best on the fringes and here he’s been given one of Marvel’s more obscure groups of characters to present to an audience that, mostly, will have never heard of them at all. From the looks of the trailer Marvel isn’t going to be holding back on the spectacle required of Guardians of the Galaxy and it seems James Gunn’s visual style and sense of humour is making it through intact. Basically, I like what I see. Click the link below to see the trailer.
For the last few weeks I have pretty much abandoned the plan I had to up the importance level of the films I did review. I had decided to focus more on the cinematic masterpieces and artistically unique/interesting. Today will not be the day that I change that. I’m carrying right along with the big silly fantasy and sci-fi nonsense with Dylan Dog: Dead of Night starring the George Lazenby of Superman films, Brandon Routh. Maybe soon I’ll cover a more important film. I make no promises though. That said, I’ll be doing the Godzilla films soon so… well, the first is important… that counts, right? Click the link below.
Oh remakes. How you do test my patience. On the one hand I can totally understand why you’d remake a film, we’ve been doing it from the early days of cinema and the retelling of stories is merely part of human nature. We pass stories on from one generation to the next making changes to suit the times. If we didn’t update and change stories then The Bible wouldn’t be so darned popular. A while back I reviewed the Total Recall remake and, along with trashing the ever loving hell out of it, I surmised that it was an example of a remake that got pretty much everything wrong, not just in the retelling of the story but in just basic film making. Some remakes can be great, The Magnificent Seven for example. So where does RoboCop sit, quality wise, if Magnificent Seven is a great remake and Total Recall is fucking awful? Click the link for my review, why don’t ya?