Quite some time ago, 313 reviews ago in fact, I was quite pleasantly surprised by just how enjoyable Dreamwork’s How To Train Your Dragon was. I tend to give Dreamworks’ films a bit of cautious wide berth, mostly because a large amount of their output is tired or just plain terrible. Seriously, like, 90% of their film’s humour comes from people falling over or actors playing hyper versions of themselves. That’s pretty much all Madagascar is, for example. How To Train Your Dragon was different though. It had an honest to goodness actual story, with characters… and bloody dragons. If your film has dragons there’s a good chance I’ll like it. So, does how To Train Your Dragon 2 match up to the first? Click the link below for my review.
Tag Archives: Animation
So I’ve been away from this whole review writing thing for a few weeks. It was a combination on working on videos for my Youtube gaming channel (Mellow gaming, check it out!) and being on holiday in Edinburgh. But I’m back now and I really will try to get these film reviews posting a little more frequently. I mean, I at least have to post one towards the end of the month when we hit The Film Dump’s 4th birthday. What fresh horror of a film will I choose for that? Who knows? I kinda know. Like, I have a pick that will likely be the film. Anyway, this is a review of Wreck-It Ralph… I should probably get on with that.
If you click on the link for animated films I’ve reviewed over in the search filter thing you’ll see that I’m quite a fan of a variety of animated stuff. Two of my favourite animated films of all time are Transformers: The Movie and Spirited Away. Without hitting impressionistic eastern European animation I doubt I could pick two films further apart. I’ve always loved animation and was enthralled by the voices behind them. Even as a kid I knew Mel Blanc was pretty much every Looney Tune. That Peter Cullen and Frank Welker were Optimus Prime/Eeyore and Megatron/Slimer. I respect what they do immensely. Always have, always will. I Know That Voice is a documentary designed to showcase why some of us love these voices. Click the link below for the full review!
In the interests of full disclosure I should state that I did back the funding of this film on Kickstarter. I did so as a fan of Bill Plympton’s work and so, if you think I liked this film based on this review I would hope you’d understand that it is as a fan of his films, and not because I backed it. Besides, backing on Kickstarter isn’t the same as investing in a film for profit. It’s pretty much the same as pre-ordering a game or a DVD. Hell, if you view backing a Kickstarter as a show of bias then you must also consider buying a DVD and thus giving money to a studio to further finance films and to monetarily support the film maker as a sign of bias also. I say this because disclosure has been a hot topic recently, and whilst yes, it is important, some people seem to have the wrong idea about what it means. Anyway, here’s my review that is clearly tainted by the money I gave to this film’s production.
Hands up who thought The Lego Movie would turn out good? I didn’t. I saw the charm in the initial trailer, but, kind of expected the film to end up being one of those kids films that end up being a series of dumb jokes wrapped around the most flimsy of stories. I mostly expected it to be a huge advert for Lego toys. Well, it is that. I’m pretty sure many people that have left the film have gone and purchased a Lego set shortly after. I probably would have if I had a spare few thousand pounds to buy what sets I could with that. So, like, one minifig and a small car, right? The Lego Movie represents everything that I should hate about films aimed at children. Its humour is puerile, its filled with nonsense, its a marketing ploy, it has that one catchy song that won’t fecking LEAVE MY HEAD!!!… It’s so frigging awesome. Click the link.
I do like reviewing films aimed at children. They exist as this area of film making that can vary wildly in tone, technique and thematics from one film to the next that it almost seems that any subject could be touched upon. A problem comes up though that when you tackle certain subjects in a children’s film a film maker has to be careful regarding what you can and can’t show. You can do film suitable for kids that tells them it’s OK to be different but you can’t outright have the film say that it’s OK to be gay, for example. Most young kids aren’t ready to tackle a subject like that. So you use other thematics to send the same message. Paranorman is a film that isn’t satisfied with passing just one tough message. It is a film that intends to stick with a child into adulthood by not hiding its subject matter, its themes or by pulling any punches. In many ways it is one of the most daring kid’s films in some time. Click the link for me not glossing over stuff for you.
After realising that the Rescuers Down Under was squashed at the box office by Home Alone I thought it would be good to follow up my last review with that particular Christmas treat. That plan was soon squashed worse that The Rescuers potential financial success when it turned out that not a single TV channel in the UK was showing Home Alone on Christmas Day. There was Home Alone 2 and, apparently, there’s a 5th film now, but not the original entry in the series. So the hunt was on at the 23rd of this month to find a suitable replacement Christmas film. Man the choice was dire this year. Even Die Hard was missing from the Christmas schedule. Thankfully I managed to find a channel showing The Nightmare Before Christmas, and here we are. Click the link below.