Zombies are pretty much everywhere now. It seems that about 10 years ago a few zombie films turned up around the same time, some sort of critical mass was achieved, and since then it’s been impossible to escape the buggers. Partly because they run now, but also because it’s every company’s lazy idea of making a quick cheap buck. A zombie film practically writes itself. People are holed up some and zombies are coming for them. A zombie comic can give a writer like Robert Kirkman a medium to explore the nature of civility and the extremes people will go to in a long form format, and also become crazy rich of TV and merchandise deals. Zombie games allow developers to minimise A.I. scripts and provide the player with the context to shoot whatever they like. Most zombie related materials these days are pretty bottom of the barrel tripe. Those that excel, such as The Walking Dead, 28 Days Later and The Last of Us do so because they don’t just look at zombies as a chance to show some gore. They see the zombie setting as a chance to hold a mirror up to ourselves in the kind of blunt, uncomplicated way that seems to be required these days. They do this all because of one man and the groundwork he laid in three fantastic zombie films. I end this zombie week with, possibly, his masterpiece, Day of the Dead. Click the link for braaaaains.
Category Archives: Horror
It’s a Halloween tradition here at Film Dump towers… well, my house… to watch a Halloween film on Halloween. It’s not the most original of traditions. Since starting The Film Dump I have taken upon myself to review the entire Halloween franchise, one film at a time, one film per year. At this rate I’ll be done in 2020. That’s provided they don’t make any more. This may not have been my best idea. Tonight is the third Halloween in The Film Dump’s existence and, as such, I must now review the anomaly that is Halloween 3: Season of the Witch! Again, not my greatest idea. Click the link for my words what are about this film.
So I happily admit to having a bit of a thing for classical Japanese cinema these days. Been trying to spread out the reviews so this doesn’t become Japanese Cinema Dump but it’s nearly Halloween and I felt like reviewing what is generally considered the precursor to the J-Horror genre. This film was recommended to me by Mark Cousins, director of The Story Of Film and, most recently, Here Be Dragons. I asked him to recommend either this or Kuroneko, and Onibaba was his pick. So, was his recommendation a good one? You’ll have to click the link below to find out I guess. Although he did feature this film in The Story Of Film so… yeah… it’s pretty good.
First things first, no this isn’t a review for the remake starring Chloe Grace “only teenage girl in Hollywood” Moretz. Not my fault they went and released that remake the same week as my HORROR WEEK review was due. Blame the studios. I would go see the remake but… ehhhhh… why bother? The original is a work of art and I intend to tell you all just why in this review. So, click the link below and I’ll tell you why Carrie is such a superb piece of horror.
Choosing what to cover first on Horror week was a little tricky. Other than Halloween 3 on October 31st I hadn’t set out a schedule. I don’t like to think too far ahead. Brings me out in hives. Eventually I decided that if I was going to start Horror Week with a bang I may as well go with the most bat-shit insane of the 5 films I’ll be reviewing over the coming week. When it comes to insanity on film you don’t get much more insanityer than Dario Argento. To call him an unconventional director would be a slight understatement. They guy always has, and always will, live in a cinematic world of his own. The sort of world where a serial killer can be hunted down by a wheelchair bound biologist with a Chimp for a nurse and a 14 year old girl with the psychic power to communicate with insects. And that’s Phenomena ladies and gents! Click the link for the review!
This is going to become a habit methinks. I’m referring to me having reviewed an original film and then, later on, it’s remake. Did so with Total Recall already, here I am with Evil Dead and RoboCop is a few months away. Not to mention I’ve been planning on covering Oldboy at some point. I guess that’s just the times we live in. Everything needs to be remade. Studios want to have guaranteed returns and they feel the best way to accomplish that is to take a well known name and repackage it for the modern generation. It works too. I can’t tell you how many times I’d get a customer in my HMV days asking for a film and the conversation would go like this… “’Ave you got (insert film here)?” to which I reply “The original or the remake” and to which they stare blankly because they didn’t know the film was a remake at all because they suck at knowing stuff. Often they’d reply with “the original” at which point I take them to the original film and then they start the blank stares. Anyway, most remakes suck or miss the point. Occasionally they’re good. What about the Evil Dead? I hear none of you cry. Click the link to find out.
A long time ago I reviewed, what is widely considered, the best worst movie of all time. That film was the gloriously awful Troll 2. You may have gathered by the number 2 in the title that Troll 2 was a sequel and that the previous film may have been called Troll. That is a fair assumption and also the truth. Although Troll 3 actually has about 500 different names so it probably wouldn’t have surprised you if Troll 2 was a sequel to Crush Groove. Anyway, I’m here to review Troll. Click the link and I shall begin. Or just scroll down if you happened to already be on the actual review itself and not just The Film Dump’s homepage.
Last year, in the run up to and over Halloween, I did a season of 6 horror movie reviews. Well, 5 horror movies and Showgirls. I was planning to do one this year but that gargantuan Bond marathon got in the way. I’m not missing Halloween night though, and in doing so I plan to begin a Film Dump tradition. Every Halloween night I intend to cover an entry in the Halloween film series. I did the first film last year so tonight is the turn of Halloween 2. Let’s see how many years I can keep this going before either running out of films or being purchased by Google for a cool billion dollar-pounds at which point I would bugger off and be a big rich slob. Maybe. Click the link yo!
About 8 months ago I introduced a friend of mine to the glory that is Tremors starring Kevin Bacon. It’s a film I’ve loved since I was a kid. Kevin Bacon didn’t star in the sequels. I’m not a fan of the sequels. So much so I never bothered watching the prequel Tremors 4 the Legend Begins. That was until a few days ago when the same friend of mine revealed that she had a copy and I’m gonna pretend she forced me to watch it. To be fair this prequel isn’t entirely bad though. So how entirely not bad is it? Click the link to find out!!!
First off, apologies for not doing a review for a whole week. Basically I’ve had a week off work and got myself some new toys to play with that will hopefully allow me to do a few new things around this here web blog thing. Hopefully what I’ve acquired will pay off and I won’t just get bored with the added effort they’ll require. Watch this space and all that for details. To make up for it I have two reviews coming, this one and one tomorrow, for films that I probably shouldn’t have bothered watching. But I have anyway because this is the slowest expanding movie review database on the internet and as such it needs to be filled. Slowly… like the dirty whore that it is. Also, before I start this review, yes I am aware that there is a picture of some kittens at the top of the page. You try finding tasteful screenshots from this film. Click the link for the review.