As I have mentioned before, I always have my finger on the pulse of modern culture. Because of this I recently watched an obscure TV show none of you have ever heard of called Firefly. Yep, it’s a show none of you know about and because of that you’d be totally unaware of the equally obscure film made a couple of years after the shows demise. You don’t know about this stuff because you’re, like, nowhere near as cool and in tune with the fringes of pop culture as I am. So shut up and let me tell you why Serenity is a great film. Also, you should watch Firefly too. Cos if you’re the sort of person who’s waited nearly 12 years to finally watch the show you’re probably an idiot or something. I mean, I would have watched it sooner but I’m so “cool” and “with it” that I just had way too much other stuff to watch. What’s your excuse. Click the link for my words about this film called Serenity.
Category Archives: Drama
So I was perusing Netflix to find something to watch last night when I see in my Twitter feed that Film Crit Hulk has reviewed Dhoom 3. Dhoom 3 is currently doing a crazy amount of business in India and around the world. Obviously, it being a Bollywood film, there’s been pretty much zero coverage by mainstream western media. The film is out in the UK but the nearest cinema to me showing it is a fair old journey away and I’m quite broke right now. So how’s about I review the Bollywood film that was setting the theatres alight earlier this year before Dhoom 3 came out, and more importantly happens to be available on the UK Netflix. That film is the Shah Rukh Khan starring Chennai Express and after the link is words what do make up this review.
Most of the time I plan out what films I’ll be reviewing on here. As a result I’ll only watch films that I plan to review. Sometimes I just watch a random film due to circumstance. Then I have to write a review of that film because that’s the rules around here. This is one of those times. As a lad I had seen both the Rescuers films multiple times over. I still own them both on VHS. I sat down to watch the Rescuers Down Under the other day with little memory of the film itself, but it’s odd how your brain works, because a few minutes into watching this I found I remembered the whole blooming thing. Good job it didn’t suck! Click the link for my review.
I decided last night to make an effort to review an Adam Sandler film. This is because friends of mine have suggested I do this in the hopes that I rip into Jack & Jill. Naww, I ain’t doing that. If I’m gonna watch an Adam Sandler film I’m going to watch one that’s actually worth seeing. A film that leaves you wondering one question. Why the hell can’t he be like that all the time? Punch-drunk love it is then. Click the link below.
For one of them British people like me it’s kind of insane for me to consider the idea that Battle Royale was not available in a home release form in the U.S. until 2012. It is entirely understandable though what with the alarming frequency of school shootings that have happened over the years, something that is, thankfully, very rare in the UK. We don’t have a history of violent gun crime amongst teenagers and maybe the thought of Battle Royale, a film that revolves around teenagers forced to kill each other off, struck too much of a nerve with U.S. distributors and the mess of an organisation that is the MPAA. So I understand that, as most of my views come from the U.S. there is a good chance that whoever reads this may not have seen Battle Royale. There may be some spoilers ahead, but please do read on, because Battle Royale is a film that needs to be seen as it is one of the most important works of cinema since the turn of the century. Click the link below.
Because my finger is always on the pulse of teenage literature I’m here to review the Hunger Games! That only just came out, right? No? It was over a year ago? oh…What’s Catching Fire? Maybe you should put it out then. OK, so maybe my finger isn’t entirely on the pulse of what the kids are watching these days. So I’m a little behind on getting to The Hunger Games. What did I think of it though? You don’t care? Oh… Well, it’s after the link. Would be nice if you at least read a little of the review.
Yes, I could have easily split this into two separate reviews and got me a few more ad hits, but that just ain’t how I roll. These two films come together as one complete whole and tell a story that is fully contained within these two parts and the comic it is based on. No, there isn’t a comic called The Dark knight Strikes Again. That never happened. Frank Miller’s Dark Knight Returns is a comic that fans have wanted to see adapted for years. Apparently Warner entertained the idea in the process of reinventing Batman for cinema audiences after the travesty that was Batman & Robin. It would have been a tough one to pull off seeing as it is among the most brutal Batman stories worthy of adapting. What you’d need is a medium that can get away with a little more and a fan base willing to buy. And that’s where Bruce Timm and his pals at Warner Animation come in. Click the link for my review.
Here’s a film I’ve been wanting to cover for a long time. Watchmen is a film that had been in development for nearly 20 years by the time Zack Snyder was able to bring it to the silver screen. In the past directors such as Darren Aronofsky, Paul Greengrass and Terry Gilliam had all made attempts to get this film made. Gilliam even termed the comic it is based on as unfilmable. If you’ve ever read the comic you’d probably agree. The story is thick with dialogue, richly layered with subtext and has some of the strongest character writing of the 20th century. I say with no intended hyperbole that Alan Moore is one of the greatest writers of modern times and Watchmen is his work at its most complex and creatively brilliant. When I first read the comic about 15 years ago I tried to envision what a film would be like. I just could not see it. I figured that Watchmen would be better suited to a 6-8 hour TV series, but then the budget would be ridiculous. I went to see this film in the cinema on release day expecting the worst, after all… there’s been a long line of terrible adaptations of Alan Moore’s work beforehand. Click the link to find out what I think of Watchmen.
So I happily admit to having a bit of a thing for classical Japanese cinema these days. Been trying to spread out the reviews so this doesn’t become Japanese Cinema Dump but it’s nearly Halloween and I felt like reviewing what is generally considered the precursor to the J-Horror genre. This film was recommended to me by Mark Cousins, director of The Story Of Film and, most recently, Here Be Dragons. I asked him to recommend either this or Kuroneko, and Onibaba was his pick. So, was his recommendation a good one? You’ll have to click the link below to find out I guess. Although he did feature this film in The Story Of Film so… yeah… it’s pretty good.
I recently decided it was time to up the ante when it comes to the sort of films I mostly cover on here. I tend to focus a lot of the more nerdy and mainstream big movies with occasional toe dipping into the more classical realms of cinema. Time to shake that balance up a little bit. I’m still going to be covering the more action focused stuff. Thor 2 review next week! What I want to do though is cover more of the greats. You don’t get much more great than this, 2001: A Space Odyssey. This is also the first Stanley Kubrick film I’ll be reviewing on here. So click the link below to open the pod bay doors (to this review).