So a while back I figured what type of films got me the most views. It seems that the formula basically involves reviewing a film that is full of sexiness and stuff. This was figured out when I noticed that my review of Showgirls was by far and away the most viewed review I have ever done. Also, my Blue is the Warmest Colour review pulled in a load of views in its first day. That had sexy ladies in it too. So, before I start Godzilla month (oh yes, that’s happening) allow me to introduce you to one of my favourite sexy films of all time. That film is Barbarella. Which you probably guessed based on the title of this review… and the fact there’s a pic of Jane Fonda as Barbarella up there… Also, there’s a good chance you Google searched for “Barabarella with shirt off” to find this site. Click the link below to see if I provide such a pic!
Category Archives: Comedy
I figured it was about time I took a break from teenage girl coming of age stories and watched something a lot more masculine. What could be more masculine than the world of male modelling? Nothing, that’s what! Zoolander, for those of you that don’t know, is a simple tale that attempts to answer a question that plagues all of us from time to time. Is there more to life than being really, really, really, ridiculously good looking? It’s a tough quandary to fully explore in the course of just one film, especially one that is only 90s minutes long, but Ben Stiller gives it his best shot. Click the link below if you’re so hot right now.
You know what films are fun to watch, and to a greater extent, fun for me to review? Those films that are so of their era that many people today either A) write them off as some random film of their time or B) are one of those young whipper-snappers that seem to think anything made before they were born isn’t worth their time. Clueless is one of the the most mid 90s films of all time. Even more so than Wayne’s World, Bill & Ted and maybe even California Man (Encino Man to you Yanks). I’m not sure if Clueless is more 90s than Bio-Dome… but I’m sure I’ll visit that film eventually to decide. Regardless, Clueless is actually an undeniably fine film. Click the link below and I’ll tell you why it’s actually brilliant. Also, if you’re from column B stop trying to be cool and watch something decent for once you petulant whipper-snapper!
Hands up who thought The Lego Movie would turn out good? I didn’t. I saw the charm in the initial trailer, but, kind of expected the film to end up being one of those kids films that end up being a series of dumb jokes wrapped around the most flimsy of stories. I mostly expected it to be a huge advert for Lego toys. Well, it is that. I’m pretty sure many people that have left the film have gone and purchased a Lego set shortly after. I probably would have if I had a spare few thousand pounds to buy what sets I could with that. So, like, one minifig and a small car, right? The Lego Movie represents everything that I should hate about films aimed at children. Its humour is puerile, its filled with nonsense, its a marketing ploy, it has that one catchy song that won’t fecking LEAVE MY HEAD!!!… It’s so frigging awesome. Click the link.
For the last few weeks I have pretty much abandoned the plan I had to up the importance level of the films I did review. I had decided to focus more on the cinematic masterpieces and artistically unique/interesting. Today will not be the day that I change that. I’m carrying right along with the big silly fantasy and sci-fi nonsense with Dylan Dog: Dead of Night starring the George Lazenby of Superman films, Brandon Routh. Maybe soon I’ll cover a more important film. I make no promises though. That said, I’ll be doing the Godzilla films soon so… well, the first is important… that counts, right? Click the link below.
Ghostbusters is one of those films that I grew up with. I’d bet that any child of the 80s grew up watching the Ghostbusters film, the animated series and playing with the toys. Pretty sure every child of the 80s can be prompted to sing the theme tune at the drop of the hat. They’ll also answer without hesitation to the question… “is this true?” with “yes, it’s true, this man has no dick”.What? You expected a different question? That would have been too obvious. You know what else will be obvious? Where my views of the film lie. Click the link to not be surprised.
I do like reviewing films aimed at children. They exist as this area of film making that can vary wildly in tone, technique and thematics from one film to the next that it almost seems that any subject could be touched upon. A problem comes up though that when you tackle certain subjects in a children’s film a film maker has to be careful regarding what you can and can’t show. You can do film suitable for kids that tells them it’s OK to be different but you can’t outright have the film say that it’s OK to be gay, for example. Most young kids aren’t ready to tackle a subject like that. So you use other thematics to send the same message. Paranorman is a film that isn’t satisfied with passing just one tough message. It is a film that intends to stick with a child into adulthood by not hiding its subject matter, its themes or by pulling any punches. In many ways it is one of the most daring kid’s films in some time. Click the link for me not glossing over stuff for you.
Ugh, hate long titles. I have this kinda steadfast rule that I won’t abbreviate titles, no acronyms either. It’s always bugged me. Guess I’ll just have to avoid referring to the film’s name during the course of the review. So, who asked for a fourth Pirates of the Caribbean film? Wasn’t me. Someone must have. Regardless of who asked here it is. Before you click the link below for my full review try answering the following question. When has an unnecessary sequel, such as this, ever been good?
So I was perusing Netflix to find something to watch last night when I see in my Twitter feed that Film Crit Hulk has reviewed Dhoom 3. Dhoom 3 is currently doing a crazy amount of business in India and around the world. Obviously, it being a Bollywood film, there’s been pretty much zero coverage by mainstream western media. The film is out in the UK but the nearest cinema to me showing it is a fair old journey away and I’m quite broke right now. So how’s about I review the Bollywood film that was setting the theatres alight earlier this year before Dhoom 3 came out, and more importantly happens to be available on the UK Netflix. That film is the Shah Rukh Khan starring Chennai Express and after the link is words what do make up this review.
Most of the time I plan out what films I’ll be reviewing on here. As a result I’ll only watch films that I plan to review. Sometimes I just watch a random film due to circumstance. Then I have to write a review of that film because that’s the rules around here. This is one of those times. As a lad I had seen both the Rescuers films multiple times over. I still own them both on VHS. I sat down to watch the Rescuers Down Under the other day with little memory of the film itself, but it’s odd how your brain works, because a few minutes into watching this I found I remembered the whole blooming thing. Good job it didn’t suck! Click the link for my review.